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 4K Hyperdeck Studio Pro 2

 

HyperDeck Studio Pro records 4:2:2 SD/HD in full uncompressed quality plus Ultra HD in ProRes. Use ProRes 422 (HQ) or DNxHD compression for high quality HD video in file sizes that provide 5 times longer recording than uncompressed. For even longer recording use ProRes 422, ProRes 422 (LT) and ProRes 422 (Proxy). HyperDeck Studio Pro features 6G-SDI, HDMI 4K and analog component connections, plus professional XLR audio and built in Thunderbolt connectivity. It includes a built in power supply for convenience and the 1 rack unit size fits easily into any studio or portable rack!

Sony Digital Betacam DVW-A500

 

The DVW-A500 Recorder / Player,  analog video and audio outputs, SMPTE 259M serial digital V/A interface, and two hour playback.The DVW-510 provides four 20-bit digital audio signal channels. The unit uses the Digital Betacam component digital recording format which provides superb picture quality and multi-generation capability to overcome the limitations of analog recording. Also, the DVW-A500 has been specifically designed for easy integration into existing analog systems.

 

 

 

 

 

 

 

Sony DNW-75 Betacam SX  Recorder Player

The DNW-A75 can easily be switched from NTSC (525/60) to PAL standard (625/50) modes.

And because Beta SX is digitally sampled 4:2:2, quality remains intact generation after generation.

Panasonic AJ-HD1400

 

From field recording to nonlinear and in-studio editing, the AJ-HD1400 is an invaluable solution for HD production. The AJ-HD1400 records at 100 Mbps with 4:2:2 color sampling and intra-frame compression in multiple U.S. and worldwide HD/SD formats including 1080/59.94, 1080/50i, 720/60p, 720/59.94p and 720/50p. Designed with comprehensive editing features, this AC/DC-powered recorder features HD SDI digital input/output and IEEE 1394 input/output, a 9-pin remote interface for use in assemble/insert editing, and a built-in up/down converter. This lightweight VTR offers a handle for on-the-go use and its compact design makes it a great space-saver for desktop use and in-studio editing.

 

-Multi-format HD/SD system records in 1080/59.94p, 1080/50i, 720/60p, 720/59.94p and 720/50p

Converts from a VariCamĀ® 50p recording (over 60p) source with native 720p/50 or PAL output

 

AJA KiPro Hard Disc Recorder

w/two 500Gb. Drives, each can hold over 6 hrs

 

Ki Pro established a new paradigm in tapeless recording. Revolutionizing how footage tracks from production to editorial, Ki Pro captures Apple ProRes 422 files direct from the source, which can then be used in most editing systems without the need for additional import or transcoding steps. Just remove the Storage Module from the Ki Pro, connect direct to the editing computer and once the files are transferred they are immediately ready for use in the NLE software.

 

Offering AJA's high-quality up/down/cross conversion and a multitude of connections, integration with your other production gear is seamless. Ki Pro let's you effortlessly bridge formats and sources within your workflow, ingesting footage to a common format and outputting to numerous simultaneous monitor outputs. Connected to a camera or used as an on set VTR, Ki Pro units unify source material to a single file format that can be used by most major editing systems without additional transcoding, streamlining the edit process and facilitating savings in time and resources.

Sony Digital Betacam DVW-510

 

The DVW-510 model (digital only)features playback of digital Betacam recorded tapes only, analog video and audio outputs, SMPTE 259M serial digital V/A interface, and two hour playback.The DVW-510 provides four 20-bit digital audio signal channels. The unit uses the Digital Betacam component digital recording format which provides superb picture quality and multi-generation capability to overcome the limitations of analog recording. Also, the DVW-510 has been specifically designed for easy integration into existing analog systems.

Sony DSR-70 DVCAM w/SDI

 

Capable of incorporating digital or hybrid analog systems, the DSR70 is an all-in-one portable editing recorder with a 6.4 inch LCD monitor, audio speaker, jog/shuttle dial and edit function keys. This versatile VTR not only allows full editing of the DVCAM format, but when docked to a Betacam SX portable VTR, the combination becomes a scalable laptop editing solution that performs full-featured VTR-to-VTR edits with DV, DVCAM, Betacam SX and Betacam SP format tapes. This feature makes it ideal for ENG applications where video is acquired from multiple sources.The DSR70 has an SDI digital interface*, allowing a direct connection with Betacam SX VTRs and an RS-422 remote interface used for professional editing.*NOTE: Optional interface boards (DSBK-140/150/160/170) cannot be used in combination with each other. However, these boards can be used together with the optional DSBK-180 Dual Video Input Board.

Sony DSR-60 DVCAM

 

Get the best of both digital and analog systems with the DSR60. This DVCAM editing player is compatible with conventional analog equipment and is an excellent choice for video professional transitions from analog to digital formats. The DSR60 features built-in TBC, RS-422A interface and TC reader, which conforms to the SMPTE standard for editing. The DSR60 accepts dual cassettes (standard/mini) and features playback of up to three hours. In addition, it has DV playback compatibility, jog audio and digital slow functions.

Sony DSR-40 DVCAM w/Firewire

 

The DSR-40 DVCAM digital videocassette recorder is half rack size.This unit offers i.LINK, Control S and RS-422A remote control interfaces. The i.LINK interface enables the transfer of DVCAM's superior image and sound quality without the conversion to analog.RS-422A allows for the DSR-40 to be used as a feeder in low cost editing systems.Analog component and XLR audio outputs are available.

Sony UVW-1800 Betcam SP - Sony DVR-20 D2 Recorder - Sony BVH-2000 1" - Sony VO-9850 3/4" SP - Sony VO-5800 3/4"