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Lectrosonics Wireless Lavaliers UCR201 UM200C

 

Lectrosonics UCR201 Wireless Receiver Features The Lectrosonics UCR201 wireless receiver provides professional performance and a versatile feature set in a mid-priced wireless microphone system. The design offers a compact package for camera mounted applications in ENG and in "bag systems" for field production and location recording. The UCR201 is compatible with all 200 Series Lectrosonics transmitters. 256 selectable frequencies over a 25.6 MHz bandwidth in standard frequency blocks defined by Lectrosonics (see specifications). The user interface is a multi-function LCD display that provides a variety of windows for setup and operation. The main window provides full system operating information including transmitter and receiver battery levels, RF and audio levels and diversity antenna state. Other windows provide frequency and level settings and a unique spectrum analyzer. The spectrum analyzer will automatically tune the receiver across its entire band width and display the results in a scrollable window to identify signals that are present and locate clear operating channels.

 

Lectrosonics UM200 Wireless Transmitter Features The Lectrosonics UM200 transmitter is a high performance synthesized UHF design that offers the frequency agility needed to alleviate interference and frequency coordination problems in traveling applications. Interference caused by television broadcasts and other radio equipment can easily be avoided with 256 available frequencies selected in 100kHz steps with two rotary switches on the side panel.

Sennheiser EW100 Wireless Lavaliers

 

Frequency A (518-554 MHz)

 

EM100 G2 Receiver

 

SK100 G2 Bodypack Transmitter

 

Clip-On Lavalier Mic

 

1680 Tunable Frequencies Across 42 MHz

 

Auto Frequency Scan Finds Open Bands

 

3 Level Squelch To Block Interference

 

20 Banks With 12 Channel Presets Each

 

Compander for Clearer Sound

Sony ECM-30 Lavaliers  - Sony ECM-44B Lavaliers - Sony ECM-66 Unidirectional Lavalier

Sennheiser MKH 416-P48 Shotgun Microphone

 

The venerable MKH 416 is a compact pressure-gradient microphone with short interference tube, highly immune to humidity due to its RF condenser design. Featuring high directivity, low self noise, high consonant articulation and feedback rejection, the MKH 416 can handle difficult exterior filming and reporting conditions without any difficulty. Supercardioid/lobe pattern, matte black finish, supplied with the MZW415 windscreen (not pictured,) microphone clamp (not pictured,) & a 3-foot XLR to XLR cable.

 

Windjammer & Boom Pole Available

Sennheiser ME 66 Shotgun Microphone

 

The ME 66 is a shot gun microphone capsule designed for use with the K6 and K6P powering modules. It is especially suitable for reporting, film and broadcast location applications and for picking up quiet signals in noisy or acoustically live environments. Matte black, anodized, scratch-resistant finish.

 

Windjammer & Boom Pole Available

Over 150 Different Microphones from Neumann to Shure

Whirlwind PRESSMITE - 1 Line Level or Mic Level Input to 12 Mic & 2 Line Outputs

 

( Active Press Patch Box )

 

The PRESSMITE features a built-in headphone amp,   DC power supply operation for enhanced portability and can also be powered by a pair of standard 9V batteries that typically provide more than 8 hours of continuous operation. A Battery OK LED is also provided for monitoring. In MIC input mode, 18V phantom power is available, and the 3-segment LED headroom display enables quick level adjustment.

Featuring high isolation between outputs. It provides 60 dB of gain adjustment on input, which accepts mic or line level signals.

Sound Devices 442 Mixer

 

Lundahl transformer-balanced mic or line-level inputs on XLR connectors Transformer-balanced line/tape/mic level output on XLR connectors

 

Continuously adjustable input trim

 

Variable high-pass filter Continuously variable pan control

 

Phantom (48-volt or 15-volt) or "T" microphone powering selected per channel

 

Solo (PFL) channel monitoring in headphones

Peak limiters per channel

 

Direct outputs on TA3 locking connectors

 

Transformer-balanced line/tape/mic level output on Hirose connector

 

Balanced line or tape level output on TA3 locking connectors

 

Un-balanced TRS-stereo tape level output on 1/8-inch connector

 

Un-balanced TS-mono mic level output on 1/8-inch connector

 

Sunlight-viewable LED meters with proprietary software-selected ballistics

 

On-board MS stereo matrix, channels 1 and 2

 

Two independent monitor return inputs for monitoring two-camera productions

 

Push pots for setup features keep front panel clutter-free

 

Compact 6061 aluminum chassis

 

Powered by four AA batteries or external 5 - 18 VDC Specifications

Sound Devices 302 Mixer

 

Lundahl transformer-balanced mic or line level inputs on XLR connectors

 

Continuously adjustable input trim

 

Two-position high-pass filter

 

Pan switches

 

Limiters on inputs and outputs

 

Stereo and MS linking of channel 1 and 2

 

Phantom (48 V or 12 V) or "T" microphone powering selected per channel

 

Solo (PFL) channel monitoring in headphones

 

Peak limiters per channel

 

Tape level output on TA3 locking connectors

 

Active-balanced line/tape/mic level outputs on XLR connectors

 

Stereo tape level output on TA3 connector

 

Return input for monitoring

 

Channel 4/5 input option

 

Sunlight-viewable LED meters with proprietary software selected ballistics

 

On-board MS stereo matrix

 

Push pots for setup features to keep the front panel clutter-free

 

Durable extruded aluminum chassis

 

Weight less than 1 kg with batteries

 

Powered by three AA batteries or external 5 - 18 VDC

Allen & Heath 14-4-2 Mixer

 

Versatile 6x2 matrix

 

Dual stereo channel routing modes

 

Improved preamp design

 

More responsive EQ

 

Channel phantom power switches and indicators

 

User friendly aux sends and direct outputs

 

XLR lamp socket

 

Syslink options

 

Pluggable jumper links

 

Universal rack or desk mount

 

Separate internal power supply

 

Dual redundant power supply connector

 

Mic/line balanced I/O

 

Pre-EQ aux for pre-insert, post-mute

Whirlwind Mix 6 Mixer

Mackie 24.8 Mixer

 

24-Channel 8-Bus Analog Recording Console

 

Mackie's ultra-quiet, high headroom mic preamps on every channel (with phantom power for use with condenser mics)

 

Loads of outputs for easy multitracking • True 8-bus operation

 

100mm log-taper faders for consistently smooth fades

 

EQ: Full parametric Hi-Mid w/separate band center & "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ • Low Cut Filter (18dB/octave @ 75Hz) on every channel

 

6 stereo (2 assignable) Aux Returns • Extensive routing capabilities

Shure M267 Mixer - Tascam M-30 Mixer - Tascam 2A Mixer

 

Yamaha MSP3 Self-Powered Speakers

 

The MSP3 Powered Monitor Speaker is a 2-way powered monitor speaker system that delivers quality audio and excellent cost performance. To facilitate connection with a variety of audio sources, each monitor is equipped with a balanced XLR input, for direct compatibility with professional equipment, a balanced phone jack input and an unbalanced RCA jack input. The MSP3 also features separate volume controls for the LINE 1 (RCA jack) input and LINE 2 (XLR/phone) input plus HIGH and LOW tone controls for sound tailoring.

JBL 4312 Control Room Speakers

 

The 4312SP Powered Subwoofer provides powerful bass performance extending frequency response of the system into the 20Hz region. When networked with LSR4300 Studio Monitors, the LSR4312SP Sub provides revolutionary capabilities including JBL RMC™ Room Mode Correction technology to ensure accurate mixes in any room.

JBL Eon 15 G2 Self-Powered Speakers

 

The second generation of one of the most successful and influential professional speaker systems ever

 

15 in Differential Drive® low-frequency driver with dual neodymium magnet for light weight and reduced distortion.

 

1 in (throat diameter) JBL compression driver with 1.75 in titanium diaphragm and ferro-fluid cooling

 

300 W low-frequency and 100 W high-frequency (bi-amplified) - actual power delivered to the drivers

 

Built in 3-input mixer. One balanced mic/line input, two .25 in phone line-level inputs. Two-band equalization.

 

Balanced loop-through/mix output. "Daisychain" additional EON speakers or send the mixed output to a mixing console.

Auratone Cube Speakers - Eventide H3000SE Ultra-Harmonizer - Lexicon LXP-15 Processor - Korg DRV-3000 Reverb - DeltaLab ADM256 Digital Delay - Fostex 3050 Digital Delay - Yamaha Rev 5 Reverb - DBX166XL Compressors